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Diskusi Publik Mengenai Pinisi

Sabtu 25 Agustus 2012 bertempat di tanah kelahiran kapal pinisi yakni di desa Ara, kec. Bontobahari, forum pemerhati Ara-Lembanna melaksanakan diskusi publik mengenai pinisi dengan tema “ Pinisi : Sejarah, Budaya, dan Kesejahteraan Masyarakat

leang passea aset besar yang terabaikan

Leang (Gua) Passea di Kampung Ara, Kabupaten Bulukumba, adalah salah satu situs pekuburan kuno di Sulawesi. Di dalamnya, peti-peti mati yang dahulu tergantung di dinding gua, kini berserakan tak karuan bercampur tulang-belulang dan pecahan keramik kuno. .

Monumen Mandala Harusnya di Desa Ara, Bukan di Makassar

Monumen ini sepantasnya berada di Desa ara, pertanyaan selanjutanya kenapa desa Ara dianngap pantas menjadi tempat monumen mandala pembebasan Irian Barat.

KEPMA Ara-Lembanna Tolak Pembangunan Pabrik Peleburan Biji Besi Di Ara

Sejumlah mahasiswa dan pelajar yang tergabung dalam kerukunan pelajar dan mahasiswa Ara-Lembanna melakukan aksi di depan kantor Desa Ara, Kecamatan Bonto Bahari, mereka menenolak pembangunan pabrik peleburan biji besi, hari ini, Senin (9/4/2012)..

Foto-foto Pinisi Karya Orang Ara.

Rabu, 28 Desember 2011

Menguasai Bahari dengan Pinisi

Menguasai Bahari dengan Pinisi
MI/Lina Herlina/ip
BASO tampak serius melihat anak buahnya sedang mengukur kayu yang dipakai untuk lambung kapal. Beberapa orang lainnya menggergaji kayu untuk membuat tiang layar.

Kesibukan semacam itu sangat umum dijumpai di tempat kerja Haji Baso Muslim, seorang pengusaha kapal tradisional pinisi di Bulukumba, Sulawesi Selatan.
Di beberapa tempat, kesibukan membuat pinisi bahkan telah menyatu dalam kehidupan masyarakat Bulukumba.

Suku Bugis-Makassar serta kisah pelaut Mandar dan Konjo di Sulawesi Selatan dikenal sebagai pelaut ulung. Mereka juga memiliki kapal tradisional yang terbuat dari kayu dengan dua tiang layar utama dan tujuh layar, yaitu tiga di ujung, dua di depan, dan dua di belakang. Itulah pinisi.

Tanggal 8 November lalu masuk sejarah pembuatan pinisi karena telah diluncurkan pinisi berukuran 10 meter x 50 meter, kedalaman 5 meter, dan berat 400 ton. Tonasenya 700 ton serta memiliki tiga dek/tingkat.

Pada tanggal tersebut pinisi besar itu memulai pelayaran perdana. Seorang pengusaha dari Polandia bernama Mister Robin telah memesan pinisi kepada Baso Muslim senilai Rp4 miliar. Pengerjaan kapal membutuhkan waktu sembilan bulan dan 13 perajin.

Baso Muslim menerangkan pinisi ukuran besar itu sudah dibuat sejak Oktober 2010. "Bentuknya murni pinisi meski oleh pemesan rencananya akan dijadikan kapal wisata," jelas Baso.

Jauh sebelumnya sekitar 1999, Baso pernah membuat pinisi pesanan orang Jepang dengan ukuran 15 meter x 45 meter, dan tonase 1.000 ton.

"Sayangnya kapal tersebut tidak sempat melaut karena kontraknya batal. Alasannya yayasan yang memesan kapal tersebut bangkrut sehingga kapalnya dibongkar," kenang Baso.

Awalnya Baso ialah penjual bahan bangunan. Pekerjaan itu ditekuni sampai 1991. Ia berpindah profesi sebagai pembuat pinisi mengikuti jejak orangtuanya.

Hingga sekarang dia sudah membuat lebih dari 200 pinisi dengan berbagai ukuran. Pemesannya pun datang dari dalam dan luar negeri. Pinisi buatan Baso sudah dipesan pengusaha Belanda, Amerika, Prancis, Singapura, Malaysia, Spanyol, Jepang, Italia, dan Jerman.

"Sekarang kami sedang mengerjakan kapal pesanan dari orang Australia, Jerman, Italia, dan Belanda dengan ukuran yang berbeda-beda, mulai tonase kecil hingga sedang. Bentuknya juga sudah dimodifikasi sesuai permintaan pemesan," tambahnya.

Harganya pun bervariasi, mulai Rp270 juta untuk ukuran kecil hingga Rp2 miliar untuk ukuran sedang. Diakui Baso, hampir semua pelanggannya berasal dari luar negeri. Pemesan dalam negeri sangat sedikit.

"Kalaupun ada, mereka tidak memesan pinisi. Mereka pesan kapal nelayan," terangnya.

Pemesan dari luar negeri biasanya orang yang pernah berkunjung ke Sulawesi Selatan. "Ada dari pemerintahan, pengusaha, maupun wisatawan."

Banyaknya pemesan dari luar negeri tidak berarti mereka menutup diri terhadap pelanggan dari dalam negeri. Para pelaku industri pinisi di Bulukumba masih sering menerima pesanan kapal dari Papua, Maluku, Jawa, Sumatra, dan Sulawesi sendiri. Selain kapal pesiar dan kapal pribadi, ada juga yang memesan kapal untuk dijual kembali.

Pembuatan pinisi tidak menggunakan kayu sembarangan. Dibutuhkan beberapa jenis kayu khusus seperti kayu besi, bitti, jati, ulin, nyamplong/pude, meranti, dan kandole.

Kayu besi dan bitti digunakan sebagai badan kapal. Jati dan ulin digunakan untuk pembuatan dek dan kamar-kamar di kapal, pude untuk tulang atau tiang-tiang, meranti untuk perabot seperti meja dan bangku, serta kayu kandole untuk pembuatan pasak.

Sayangnya, menurut Baso, kayu-kayu tersebut sekarang agak susah diperoleh.

Kayu besi, misalnya, harus mereka pesan dari Sulawesi Tenggara, jati dari Kabupaten Sinjai, dan ulin dari Kalimantan.

Tidak hanya itu, para perajin kapal di Bulukumba juga mengaku kesulitan memperoleh kayu yang berukuran besar.

"Dulu sebenarnya, dalam pembuatan pinisi harus menggunakan tujuh macam atau jenis kayu, tapi sekarang sudah tidak menggunakan tradisi tersebut. Sekarang sesuai dengan orderan dan permintaan pemilik atau pemesan kapal," ungkap Baso.

Alasannya sekarang ini industri pinisi tidak seperti dulu lagi. Di Pantai Panrang Luhu, Desa Bira, Kecamatan Bonto Bahari, Kabupaten Bulukumba, kini hanya tersisa dia yang menjalankan bisnis pinisi.

Sebaliknya di Desa Tana Beru, masih ada beberapa orang yang melakoni industri pembuatan pinisi. Salah satunya ialah Arwin yang memiliki anak buah 18 orang, dan mayoritas berasal dari Desa Ara.

Masih banyaknya orang di Tana Beru menjalani bisnis pinisi sesuai dengan legenda yang berkembang turun-temurun. Legenda menyebutkan di situlah sumber atau awal lahirnya keahlian membuat pinisi.

"Hanya, di Tana Beru mereka tidak membuat kapal dengan tonase besar karena alasan kedalaman pantai," jelas Baso.

Dia pun terkenang kepada salah satu kawan sesama pengusaha pinisi bernama Abdullah yang bisa membuat kapal cukup besar. Namun, panjang kapal tidak bisa melebihi 39 meter karena pantai yang dangkal.

"Kalau pantai dangkal, akan sulit menurunkan kapal besar dan panjang ke laut," imbuhnya. (N-3)

Sabtu, 17 Desember 2011

How to Build Phinisi Sailing Boat in Indonesia : Let us make you dream come true…


THE PHINISI : INDONESIA BEST YATCH EVER
What have we done to change these craft for a newly defined purpose as a yacht or charter vessel…?
Our goal has been to preserve the extraordinary aesthetic tradition of these vessels and to carry their best qualities forward, but to improve them where needed in order to serve their new purpose as charter yachts.
Changes:  Our aim has been to provide greater strength and longevity of structure than is found among local craft.  Our goals in so doing have been to reduce maintenance, to provide a high degree of comfort, improve the performance under power, and to increase the long term safety of the ship.
In order to create a luxury yacht or charter vessel out of the traditionally built Phinisi or KLM types has mainly been a matter of sizing and arranging the cabins for their new purpose and to refine the hull shape for use as a yacht, rather than as a much more burdensome cargo vessel.
As a bonus, the more refined yacht hull shape is much more comfortable in the sea than the much more boxy cargo hull types, which have a reputation for having a rather harsh and unkind motion when not deeply laden with cargo.  After all, a yacht need only carry a load of fuel, food, passengers, and their water toys.
Power:  Motive power is provided by a relatively much larger diesel engine than would be locally used. This is for vastly improved performance, safety and convenience as well as in order to achieve a more dependable charter schedule.  For example, where we would specify an engine of around 850 hp, an equivalently sized local cargo vessel would rarely have more than around 250hp to 350 hp…!
Of course the engines we specify would be larger still if it were required to get these boats to reach their full theoretical hull speed (i.e. an S/L of around 1.34).  However above a speed to length ratio of around 1.10 the power requirements and the consequent fuel use, as well as the machinery cost become excessive.
Tradition:  Still further requirements have been to blend the excellent Konjo / Bugis boat building traditions with a few of the specific requirements of the West, primarily in terms of comfort, structure, safety, and stability.
Structure:  A number of structural improvements over the typical cargo vessel construction have been specified. These were not dramatic changes in terms of the construction methods, but definitely they were a big change in terms of finesse and quality, so cumulatively the changes have been very important to the structure.
Examples of our modifications to the structure are that we have specified:
* The use of only top quality timbers;
* That the timbers be of the maximum obtainable length;
* That the proximity of joints in planking and other structure be according to Germanischer Lloyd’s requirements;
* That the frames be top quality and nicely finished;
* That proper scarf joints be used for all structural members;
* That an increased quantity and higher quality of fastenings be used throughout;
* That there be substantial bilge and deck stringers inside;
* That there be watertight bulkheads as specified by GL;
* That there be heavy duty long length engine girder timbers in order to handle the additional stresses imposed by the higher powered machinery.
These changes plus many less obvious refinements to the methods used for joining the primary structural members have all gone into the specification for a robust and long lasting wooden ship.
Cumulatively, these changes have been very significant – and indeed there is quite a large difference in terms of the quality and integrity of the resulting vessel as compared to the vessels built for cargo.  Even more dramatically, these refinements offer a vast improvement over the more typical poorly planned attempt to turn one of these local craft into a private yacht or charter vessel.

CAN A NEW WOODEN YACHT BE BUILT ECONOMICALLY…?
Yes!  …and of course that is the ultimate goal…!

Given that such a vessel is largely based on the very common local Phinisi / KLM types, it can still be very economically built in Indonesia using locally available timbers and locally available talent.
Unfortunately, we have consistently observed that due to the relatively low cost of building the wooden structure of these vessels, there always will be a steady supply of misguided Westerners who approach the Indonesian boat builders with the idea of turning one of their locally built craft into a yacht or charter boat at the lowest possible cost. Most often the result is extremely poor – mainly due to extremely inadequate planning and virtually non-existent project management.
These half hearted attempts to create a yacht inevitably result in an ill-conceived and / or poorly executed vessel, i.e. one that has not been ‘designed’ nor built to any standard, nor even effectively ‘managed’ during construction.  Although the local builders are very capable of producing excellent results with their own local vessel types, having been developed for carrying cargo they are not ordinarily so well suited to being turned into yachts.
Even worse, when these indigenous vessels get arbitrarily modified by various misguided ‘owner requests’ during construction, the final product can be shockingly bad – even to the point of being unsafe.  Of course there are exceptions, but they are not so common.
Most of the pre-existing charter vessels or private yachts that we have seen for sale in Indonesia are really not worth much.  Yes there are exceptions, however it should be kept in mind that any cargo vessels built for knowledgeable local cargo skippers that are still in excellent shape… it is extremely unlikely to actually find one for sale while there is still some working life remaining.
The overall point is that whether new or old, there is a very big difference between those vessels and the likes of what I have outlined in these pages.
The essential differences…?
* The amount of planning;
* The verification of structure per GL standards;
* The assurance of stability per IMO standards;
* Designing a shape that will behave well as a yacht;
* And finally, following through to assure that the vessel is constructed accordingly via an on-site team.
Having taken these steps, you can be assured that the resulting vessel will be a fine, safe, robust, and long lasting asset.
THE PURSUIT OF QUALITY
Building an Indonesian wooden vessel is a unique sort of adventure.  It is not unusual for someone to surf the web, see the Indonesian designs we have created, note their excellent qualities, print a few images off the web show the builders and ask them “can you build one like this?”  This has occurred several times.  Those events have been verified and duly noted.
The next crazy step is for someone to order ‘Study Plans’ and attempt to do the same.  I’d venture to say that the result will possibly be better than if they had made a drawing in the sand (as is also very common), but nowhere near the calibre of vessel that could have been.
Due to this apparently common tendency amongst those who are wild enough to want to build a boat in Indonesia, we have priced our ‘Estimating Plans’ for these vessels so that there is relatively little reason not to go for the whole package of ‘Building Plans’ which actually includes the vessel’s hull shape..!   In other words, if you already know that a given design is what you want there is little point in ordering the Estimating Plans separately, which only runs the cost up (and causes us extra work..!). Please review our complete Plans List for more information.
Overall, I want the as-built result with these craft to be the best that it possibly can be.  If owners go off into the bush with a half baked plan, they certainly will not end up with a fully baked result.  Since our aim is to encourage only the very best, we wish to arm our clients with all the information that will require.
CONSTRUCTION SUPERVISION
It is our intent to remain on-call as needed during construction to help supervise the information flow to the builders and to answer questions.  We do not get involved in actual project management per se, and we do not get physically involved in the build itself, except purely in an advisory capacity.
However via our prior various projects in Indonesia we have become familiar with a number of excellent contacts on Java and Sulawesi and we have a mountain of highly useful information to accompany our plans, including a clearly laid out strategy to achieve the build and how to put a team in place to get the best result.
We also have a short list of those who should be avoided…!
HOW TO DO IT RIGHT
Planning:  We find that the key to success with any project of this magnitude is thorough planning, done well in advance of any actual boat building being done, and in advance of any contract arrangements being made.
We therefore view the design of the vessel as being the first essential ingredient to success.  The other essential components are that highly skilled builders be found, and that during the building of the boat there be adequate communication via competent on-site project management.
Our contribution with these craft is not just to design an interior and general layout suited to the owner’s chartering or yachting requirements, but also to specify a pre-determined hull shape; to specify the structure so that only the highest quality wood and hot dip galvanized fastenings be used; and then to follow through during construction in order to assure that the requested enhancements to the structure be made and the original plans be followed faithfully.
The following is a brief outline of the process we have found to work best….
Building:  For maximum economy, the ideal build venue for a wooden hull of this size (meaning all the heavy woodwork of the hull, deck, and superstructure) will always be close to the best supply of good timbers.  Presently in Indonesia this means Kalimantan (the Indonesian part of the island of Borneo).
The Shape:  With each of our boat projects in Indonesia, in order to achieve the intended hull form we have made use of temporary internal mould frames.  The hull shape is first “lofted” and then the mould frames are built to match the lofting.   The mould frames are then erected onto the keel to act as a guide for the planking. This allows us to pre-determine the section shapes in order to match our computer generated hull shape (see image links above). You can observe the process of creating mould frames at our Indonesian Boatbuilding Pictures web page.
Per typical Indonesian practice, the planks are placed first, and the frames afterward.  This lends itself perfectly to the use of mould frames to guide the shape.   In other words, once the hull is planked according to the moulded shape, the internal framing is added later, very much as is the usual wooden boat building practice throughout Asia.  By this means we will have strayed from traditional methods only slightly in order to achieve the required shape, and then as needed in order to assure integrity of structure, longevity, and lessened maintenance.
Outfitting: Once the hull has been built, there is still plenty of additional work in outfitting such a craft.  To finish out the interior joinery, we have found that the Konjo builders themselves are highly skilled and can produce extremely fine results when guided by a clearly articulated plan.
After that, the primary task is to properly specify and install the mechanical and electrical equipment and various related systems.
The installation of the equipment and systems will always present a challenge throughout Indonesia – mainly because the typical locally built craft are extremely simply outfitted, therefore the requisite engineering skills for a charter vessel or a yacht can be difficult to find.  Thus it is only in large harbors such as Jakarta or Surabaya or Benoa in Bali where one will find the expertise required for the more elaborate systems that are found on a yacht of this size.
Other locations are also available with regard to the installation of systems… For example, Indonesia’s Batam island (near Singapore) has become a possible venue for this stage of the work, and has the advantage of little or no import duty and ready access to parts and equipment in Singapore.   Other possibly more enjoyable venues for systems completion are Bali in Indonesia, Langkawi or Penang in Malaysia, and Phuket in Thailand.  Though labor costs will be higher in Phuket than in Indonesia or Malaysia, labor will still be relatively inexpensive when compared to any Western venue.
In Use: When finished according to the plans and specifications, the result will be a world class yacht.   Whether used as a private yacht or in charter mode, this kind of vessel will offer a generous measure of luxury to anyone who steps onboard.
Source : http://www.kastenmarine.com/phinisi_quality.htm
For Plans : Please contact Mr. Michael Kasten at his email : michael@kastenmarine.com

Senin, 12 Desember 2011

Hak Paten Pinisiq: Dagelan Terlucu di Dunia

 

Sangat lucu, saya sampai kesulitan untuk menghentikan tawa ketika selesai membaca artikel di koran FAJAR (saya lupa catat tanggal dan hari terbitnya) yang memberitakan adanya hak paten untuk perahu pinisi. Siapa dalang dan pemeran lawakan itu? Apa maunya? Apakah mereka tahu apa itu pinisi? Apanya yang mau dipatenkan?

Baik informasi yang berasal dari teman-teman yang berasal dari Bulukumba ataupun informasi dari media massa, tujuan utama Pemerintah Daerah Bulukumba adalah mempatenkan perahu pinisi. Seperti pertanyaan terakhir di atas, apanya yang mau dipatenkan? Untuk menjawabanya, mungkin analogi adalah cara yang sedikit lebih pas. Misalnya satu unit komputer. Tidak ada perusahaan yang memiliki hak paten 100% pada satu unit komputer. Maksudnya, di tiap bagian-bagian kompoter patennya dimiliki oleh pihak-pihak (pemegan hak) yang berbeda. Misalnya LCD, mouse, bentuk keyboard, icon, sampai software yang diinstal didalamnya. Kesimpulannya, sedikit mustahil sebuah perusahaan memiliki paten secara penuh atas hardware dan software di sebuah komputer, kecuali apa yang digunakannya adalah hasil riset mereka sendiri.
Lalu bagaimana dengan perahu pinisi? Defenisi pinisi saja sudah sedikit rumit, apalagi bagian-bagiannya. Sebelum membahas defenisi perahu pinisi, mari kita simak sebagian kecil bagian-bagian perahu pinisi. Pinisi terdiri dari 7 – 8 layar; terdiri dari dua tiang agung; bentuk haluan sedemikian rupa; ruang kemudi sedikit di bagian buritan; terdiri dari banyak susunan papan yang mempunyai nama-nama tersendiri; dipasang dengan menggunakan ratusan pasak kayu dan logam; sela-sela persambungan papan diisi sejenis kulit kayu bersama tali agar air laut tidak masuk; dibuat dengan pengetahuan tak tertulis dan dengan ritual tersendiri; dan puluhan bagian-bagiannya lainnya yang sulit untuk dijelaskan satu persatu di sini.

Siapa yang memiliki hak paten itu semua? Siapa yang menemukan bentuk layar yang ada di pinisi? Siapa yang menemukan bentuk tiang agung yang memudahkan pengembangan layar pinisi? Siapa yang menentukan rumus pemasangan lambung pinisi? Siapa yang menentukan bahwa ritual “itulah” yang harus dipraktekkan? Siapa yang pertama kali memasang dua kemudi di kiri – kanan lambung buritan pinisi? Lalu siapakah yang meng-ide-kan menggunakan kemudi di tengah buritan perahu? Siapa pula yang menentukan istilah cocoroq; tarengke; passoq; kalabiseang; tambera; dan bagian lain pinisi? Siapa yang menemukan teknik
penyambungan tulang-tulang (tajoq) lambung perahu? Apakah Pemerintah Daerah Bulukumba sudah mengetahui itu semua? Saya sangat yakin, mustahil untuk menemukan siapa penemu-penemu itu.
Pinisi terdiri dari “hardware – software” yang dirumuskan oleh nenek moyang tukang-tukang perahu yang bila ditelusuri kita harus sampai ke ribuan tahun yang lalu ketika orang-orang Austronesia memulai ide untuk menyebrangi Laut Cina Selatan.

Pinisi hanyalah salah satu jenis perahu dari sekian jenis perahu yang dibuat di Tana Beru, Bulukumba. Ada banyak jenis perahu kayu lainnya yang “hardware” dan “software-nya” sama dengan pembuatan perahu pinisi. Hal yang juga dipraktekkan di daerah lain di luar Bulukumba yang juga mempunyai tradisi pembuatan perahu. Lalu siapa yang berhak memiliki “ware-ware” itu ketika hal yang sama juga ada di tradisi pembuatan perahu Butun, Bajau, Bugis, Makassar dan Mandar? (pembuat perahu pinisi adalah orang Konjo yang bahasanya berbeda dengan lima suku di atas).

Juga perlu diingat, perahu pinisi baru muncul di abad ke-19. Karena itu yang terjadi, tidak mungkin pinisi dibuat dengan pengetahuan yang muncul secara tiba-tiba. Artinya, teknik pembuatan perahu pinisi didasarkan pada teknik pembuatan perahu sebelumnya, misalnya padewakang. Padewakang pun berasal dari teknik pembuatan perahu sebelum perahu padewakang muncul. Demikian seterusnya jika terus dirunut ke belakang.

Saat ini proses itu tetap terjadi. Pinisi terus dimodifikasi sehingga yang terjadi saat ini perahu pinisi sudah punah. Yang ada adalah PLM atau perahu layar motor yang notabene menggunakan mesin. Penggunaan mesin pada gilirannya mengubah kontruksi asli pinis: layar sebagian besar “dibuang”; kontruksi lambung diberi banyak tambahan untuk menfasilitasi “benda-benda baru”; dan tradisi pun ikut berubah. Lalu dimana harus mengambil titik awal atau standar untuk mengatakan bahwa “Perahu itulah pinisi?”. Jika itu tidak terjawab dan mustahil untuk menjawabnya, maka mustahil pulalah untuk mempatenkan pinisi. Saya curiga Pemerintah Daerah Bulukumba mengambil istilah hak paten hanya retorika sok belaka tanpa ada alasan yang kuat secara ilmiah untuk menggunakan istilah itu. Usul saya, yang mungkin bisa dipatenkan (ini juga sulit) adalah miniatur pinisi, bukan perahu yang belum tentu pernah dilayari oleh pejabat-pejabat Pemerintah Daerah Bulukumba.

sumber : http://ridwanmandar.com/2011/12/12/hak-paten-pinisiq-dagelan-terlucu-di-dunia/

Minggu, 27 November 2011

Terpikat Pasir Putih Pantai Mandala Ria

PASIR PUTIH. Pantai Mandala Ria di Kabupaten Bulukumba tidak hanya menawarkan keindahan pantai dengan pasir putihnya yang lembut.



KEKHASAN Kabupaten Bulukumba salah satunya pada keindahan pantainya yang eksotik. Objek wisata yang mengandalkan keindahan panorama pantai dengan pasir putih yang membentang cukup banyak tersebar di beberapa tempat.

Wisatawan mancanegara maupun domestik cukup banyak mengenal Pantai Tanjung Bira yang pernah menjadi salah satu primadona wisata pantai. Namun, pantai berpasir putih yang indah tidak hanya Tanjung Bira saja.

Adapula Pantai Samboang, Pantai Lemo-lemo dan Pantai Mandala Ria. Masing-masing punya ciri khas sendiri. Pantai Mandala Ria misalnya, tidak hanya mengandalkan pasir putih sebagai objek wisata tetapi juga pada pembuatan perahu pinisi.

Suasana pantainya sangat nyaman. Apalagi, pepohonan yang rindang tumbuh sangat dekat di tepi pantai, sehingga cukup sejuk memandang lautan luas yang berbatasan pasir putih.

Air lautnya jernih tanpa tumpukan kotoran yang biasanya terlihat di bibir pantai. Bolehlah dikatakan sangat menyenangkan berlama-lama di tempat ini.

Beberapa vila yang ada disekitar pantai pun sebagian besar belum disewakan. Pengunjung yang datang tidak perlu merogoh kantongnya untuk urusan tempat berbaring sehabis bermain di pantai. 

Pengunjung bisa melihat lebih dekat cara pembuatan perahu pinisi. Tidak perlu berjalan jauh untuk mencapai galangan kapal, karena tepat berhadapan dengan pantai.

Kepala Dinas Kebudayaan dan Pariwisata Bulukumba, Andi Nasaruddin Gau mengatakan, Pantai Mandala Ria sudah dimasukkan dalam agenda pengembangan kawasan wisata. "Ada nilai berbeda dari tempat wisata lainnya," ucap Nasaruddin. (arm)



Sumber : http://www.fajar.co.id/20111126184726-pariwisata-sulsel-terpikat-pasir-putih-pantai-mandala-ria'

Jangan Lupa Mampir di Gua Passohara

BERKUNJUNG ke objek wisata Pantai Mandala Ria jangan sekadar menikmati pasir putih yang lembut dan tempat pembuatan perahu pinisi. Nikmati pula  keberadaan danau yang berada di bawah tanah.

Letaknya hanya sekira seratus meter dari bibir pantai. Danau bisa diakses dengan memasuki rongga bawah tanah berbentuk gua yang kokoh. Bentuknya sangat mengagumkan, lantaran panjangnya tidak kurang dari seratus meter.

Pengunjung berjiwa petualang merasa belum lengkap bila belum mampir di tempat ini. Memang, cukup terjal untuk mencapai rongga dan masuk ke aliran danau. 

Kepala Desa Lembanna, Kecamatan Bontobahari, Amar Ma'ruf mengatakan, objek wisata yang unik ini butuh pengembangan. Beberapa artefak peninggalan prasejarah juga ditemukan di tempat ini.

Sayangnya, Gua Passohara hanya mengandalkan kondisi alaminya saja. Tidak ada sentuhan untuk mempercantik agar menarik pengunjung datang. 

Padahal, bila dikembangkan, tidak hanya membantu pemerintah mengembangkan wisata tetapi juga menambah pendapatan masyarakat setempat. Perlu pembenahan dan promosi. (arm/rif)

Sumber : http://www.fajar.co.id/20111126184552-pariwisata-sulsel-jangan-lupa-mampir-di-gua-passohara'

Kamis, 10 November 2011

Peluncuran Kapal Phinisi (ARA) di Tanjung Bira, Bulukumba Membanggakan Indonesia

Sebuah kapal phinisi dari Ara dan Tanjung Bira, Bulukumba, Sulawesi Selatan telah melakukan peluncurannya tadi malam (8/11) melalui prosesi adat setempat. Kapal phinisi pesanan Polandia tersebut merupakan yang terbesar yang pernah dibuat dalam sejarah Bulukumba. Masyarakat Tanjung Bira di Bulukumba sendiri memiliki tradisi pembuatan perahu dan kapal laut sejak ratusan tahun lalu.

Kapal phinisi bukan tak terkenal karena seluruh penjuru negeri bahkan dunia telah mengetahui bahtera ciri khas Nusantara tersebut. Jenis perahu tradisional dari Bukukumba telah menjadi trademark tradisi bahari nenek moyang Indonesia dan sebuah upaya mempertahankan identitas masyarakat bahari yang kreatif dan ulet.

Prosesi penggeseran kapal phinisi dikerjakan 100 orang dan dihadiri Wakil Bupati Bulukumba Samsuddin, pejabat Dinas Kebudayaan dan Pariwisata, serta para stafnya. Selain itu, seluruh tenaga pekerja pembuat kapal yang berbahan kayu besi itu hadir untuk prosesi adat.

Dari fase penggeseran badan kapal sejak malamnya, perlu sekitar 3 minggu lagi hingga seluruh badan kapal memasuki air dan akan ditarik feri hingga Semarang. Pembuatan badan kapal phinisi tersebut telah memakan waktu 9 bulan. Setelah selesainya badan kapal, proses finishing dan interiornya akan dilakukan di Semarang.

Kapal phinisi tersebut memakan biaya pembuatan Rp 4 miliar untuk badannya saja yang memiliki panjang 50 meter dan bagian terlebar hampir 10 meter. Finishing di Semarang memakan biaya tiga kali lipat biaya untuk pembuatan badannya.  Niat Pemerintah Daerah Bulukumba melalui Dinas Kebudayaan dan Pariwisata yaitu ingin mempertahankan Tanjung Bira, Bulukumba ini sebagai tempat pembuatan phinisi.

"Ini sebuah moment penting, karena kapal phinisi pesanan Polandia ini merupakan yang terbesar yang pernah dibuat dalam sejarah Bulukumba," jelas Nazaruddin, Kepala Dinas kebudayaan dan Pariwisata, Bulukumba. Kapal ini dibuat di sini (Tanjung Bira) sebagai tahap awal dari keseluruhan proses pembuatan. Di sinilah konstruksi badan kapal disiapkan karena memang ahlinya ada di sini, yaitu Haji Muslim Baso (66), dari desa Ara, Bonto Bahari.

 "Ancaman yang memprihatinkan bagi kami ialah para pembuat phinisi ini berpindah tempat ke provinsi lain karena bahan baku yang lebih mudah. Jadi ini persoalan nasional dan harus dibicarakan," ungkap Nazaruddin,  selagi menerangkan keindahan Pantai Pasir Putih, Tanjung Bira. Bila hal ini dibiarkan maka Tanjung Bira bisa terancam hilang dari peta wisata sejarah dan budaya Indonesia.

Haji M. Baso sudah membangun sekitar 200 kapal dan perahu dari berbagai ukuran dan jenis. "Selama ini, perahu wisata terbesar yang saya buat di Bonto Bahari, dari pengalaman saya sejak tahun 1991," tuturnya selagi menjawab beberapa pertanyaan dari berbagai media yang meliput penggeseran kapal ini.

"Lambung kapal ini kira-kira 3 meter dalamnya, jadi saya pilih tempat ini karena kedalaman air yang cocok," jelas Haji M. Baso saat mengomandoi para pekerja yang menggeserkan badan kapal yang seharinya bisa dipindahkan sejauh 15 hingga 20 meter. Hingga Rabu pagi (9/11) tim pekerja pimpinan Haji Muslim Baso sudah menggeser sekitar 5 meter.

Michael, salah seorang wisatawan mancanegara dari Chekoslovakia sudah berada di Indonesia selama 2,5 bulan telah turut mengikuti prosesi sejak beberapa hari lalu. Ia sungguh mengagumi kelihaian masyarakat Bulukumba dalam membina bahtera besar tersebut.

Tidak hanya kapal ini yang sedang dibina dalam pengawasan Haji Muslim Baso, ada kapal lain berupa perahu serupa yang lebih kecil pesanan pengusaha Belgia. Selain itu, terdapat sampan sebanyak 12 buah dan meja pesanan dari Kolombia. Jelas, keterampilan dan pengetahuan para lokal genius di Tanjung Bira telah mampu menembus tabir pasar pelayaran dunia.

Bagi warga Tanjung Bira sendiri, pembinaan perahu phinisi tersebut hanyalah salah satu proyek bersama dalam tahun ini. Akan tetapi, dengannya nama Tanjung Bira terkenal dengan prestasi pembuat perahu phinisi terbesar.

Sumber : http://www.indonesia.travel/id/news/detail/540/peluncuran-kapal-phinisi-di-tanjung-bira-bulukumba-membanggakan-indonesia

Rabu, 09 November 2011

Ritual Adat Peluncuran Perahu Pinisi Terbesar sepanjang Sejarah Pembuatan Perahu Pinisi di Bulukumba.



Tadi malam (8/11/11) sekitar pukul 21.00 di pantai Panrang Luhu, desa Bira Kec. Bonto Bahari diadakan ritual adat peluncuran perahu Pinisi. Perahu Pinisi yang diluncurkan malam tadi merupakan perahu Pinisi terbesar yang pernah dibuat di Bulukumba. Perahu pinisi buatan H. Bso Muslim ini memiliki dimensi panjang 50 meter, lebar 10 meter, kedalaman 5 meter, serta tonase sekitar 800 s/d 900 ton. Perahu ini dibuat atas pesanan dari Polandia dengan harga pemesanan sekitar 4 M. Kondisi kapal yang diluncurkan semalam masih 75 %, yang selanjutnya setelah diluncurkan akan dikirim ke Semarang untuk dilengkapi dengan radar, interior, perlengkapan navigasi serta kelengkapan lainnya. Acara ini dihadiri Wakil Bupati Bulukumba H. Syamsuddin, Kepala Dinas Kebudayaan dan Pariwisata Bulukumba Drs. A. Nasarauddin Gau dan jajarannya, pemilik kapal, serta tokoh masyarakat setempat.

Prosesi Ritual Appasili
Ritual adat peluncuran perahu pinisi ini diawali dengan upacara “appasili” yang bertujuan sebagai ritual untuk tolak bala. Untuk kelengkapan upacara telah disiapkan seikat dedaunan yang terdiri dari daun sidinging, sinrolo, taha tinappasa, taha siri, panno-panno yang diikat bersama pimping. Untuk kelengkapan acara disiapkan pula kue-kue tradisional seperti gogoso, onde-onde, songkolo, cucuru dll. Acara dimulai tepat pukul 21.00. Pembuat kapal dan sanro serta tamu khusus serta tokoh masyarakat duduk berhadap-hadapan di atas geladak kapal mengelilingi kelengkapan upacara yang akan dipakai dalam upacara “appasili”. Tak lama kemudaian mulut sanro berkomat-kamit membacakan “songkabala” yang selanjutnya menghadapi sebuah wajan yang berisi air (dari mata air) dan seikat dedaunan untuk membacakan mantra dengan khidmat dan khusuk. Air tersebut kemudian dibacakan dimantra-mantrai sambil diaduk-aduk dengan menggunakan seikat dedaunan yang telah dipersiapkan sebelumnya dan setelah pembacaan mantra selesai, kemudian air tersebut dipercikkan ke sekeliling perahu dengan cara dikibas-kibaskan dengan ikatan dedaunan tadi. Setelah upacara selesai, kemudian para tamu dijamu dengan penganan tradisional.
Prosesi Ritual Ammossi
Puncak acara semalam adalah “ammossi”, yakni pemberian pusat pada pertengahan lunas perahu yang selanjutnya akan dilakukan penarikan perahu ke laut. Pemberian pusat ini berdasar pada kepercayaan bahwa perahu adalah “anak” punggawa / panrita lopi. Berdasar pada kepercayaan itu, maka upacara “ammossi” merupakan simbol merupakan simbolisasi pemotongan tali pusar “bayi” yang baru lahir.
Sebelum prosesi “ammossi” dilakukan, seluruh kelengkapan upacara disiapkan di sekitar pertengahan lunas perahu yang merupakan tempat upacara. “punggawa” (pembuat perahu) berjongkok disebelah pertengahan lunas perahu berhadapan dengan “sanro”. Tak lama kemudian mulut “sanro” berkomat-kamit membacarkan mantra sambil membakar kemenyan. Selesai membaca mantra selanjutnya “sanro” membuat lubang di tengah “kalabiseang”, selanjutnya kalabiseang dibor sampai tembus ke sebelah kanan lunas perahu.
Setelah proses “ammossi” selesai, dimulailah ritual penarikan perahu ke tengah laut. Prosesi ini dahulunya memanfaatkan tenaga manusia yang sangat banyak untuk menarik perahu ke laut, namun karena tonase perahu yang sangat berat, prosesi ini sudah menggunakan peralatan yang lebih “modern”, yaitu katrol. Pada prosesi peluncuran tadi malam, penarikannyan menggunakan katrol dan rantai, sebagai simbolisasi penarikan perahu, perahu yang ditarik sudah dianggap masuk ke laut jika badan perahu telah menyentuh air laut. 

Kamis, 29 September 2011

Wooden Phinisi Industry in Bulukumba South Sulawesi Island Indonesia


Phinisi Boat BuildingLocated at the most southern tip of South Sulawesi’s peninsula, 153 kilometers south of Makassar, lies the district of Bulukumba , holding hidden marvels in its pristine beaches, underwater gardens, and   unique maritime culture. The district is also known as Butta Panrita Lopi or ‘the land of the phinisi schooners” for its long tradition in building these majestic crafts, the pride of the Bugis people.
According to the ancient I La Galigo manuscript, phinisi schooners have been built since the 14th century. These  schooners are mostly crafted  in the area called Tanah Beru, located about 23 kilometers from the capital of Bulukumba, or 176 kilometers from Makassar.
Along the shores of Tanah Beru, you will see tens of dry-docks where phinisi schooners are in various stages of construction. Here the skillful hands of the Bugis with amazing precision, carefully craft the Phinisi that has become the icon of Indonesian seafaring. The Phinisi is built using traditional equipment following exact prescribed traditional techniques that have been passed down from generation to generation. Its construction does not only involve strength and technique but also – as the locals believe – supernatural powers, for which every stage requires strictly adhered rituals and ceremonies.
Further south, at the most southern tip of the district, about 200 kilometers from Makassar, the secluded white sandy beach, crystal clear calm waters and indulging breeze await at the Tanjung Bira Beach. Its location alone has made it a special place, where the sun rises and sets magnificently along a straight line.  Here the luxurious Amatoa Resort provides magnificent views on the vast spreading white sand,  making this a perfect spot for sunbathing, snorkeling and diving.
Far on the horizon, the scenic view of the island of Selayar adds to the splendor of the beach. While, not too far from shore, the Liukang and Kambing or Goat Islands welcome visitors to step in their pristine environment. There are several boats along the coast that are more than willing to take you to the islands. The seas off Tanjung Bira and around Selayar are also ideal for diving. Around Bira are fringing reefs, but most outstanding by far are the sheer walls at Kambing island, where a stark slab of rock rises out of the ocean between Bira and Selayar. Here the coral cover and schools of fish offer fantastic underwater scenes.
The word “Bulukumba” is believed to be derived from the Bugis phrase “Bulu’ku Mupa”, which loosely translated means “still my mountain”. The name appeared in the 17th century, when a war broke out between two kingdoms of South Sulawesi, namely the kingdoms of Gowa and Bone.  At the time, the ridge of Mount Lompobattang ,  known as “Bengkeng Buki”, -  which means “foot of the hill”, -   was claimed bythe Gowa Kingdom.  The Bone Kingdom, however, refuted the claim and defended the area with all they had.  From this battle came the passionate outcry: ”bulu’ku mupa!” or “still my mountain”. Gradually its pronunciation shifted to cover the entire area of  Bulukumba.
Bulukumba is also the home of a special ethnic group called the Kajang. For centuries they inhabited the interior area of the Kajang regency in an area called Tana Toa, which they regard as having beeen bestowed to them by their ancestors. Until this day, the Kajang still practice age -old traditions and ways of life that teach men to maintain perfect harmony with nature. Living in simplicity, none of the houses have any furniture, electricity, and other modern convenience.The Kajang also wear black as their daily attire.  For to the people of Kajang, modernity deviates from customary rules and ancestral teachings.
Watching the magnificent phinisi schooners being built, enjoying the white beaches, and the splendors below the sea, Bulukumba is  truly worth a visit as you venture into the wonders of South Sulawesi.
Industry

Sumber :
http://boatbuildingindonesia.com/phinisi-boats-industry-in-bulukumba-of-south-sulawesi-island-indonesia.html

Mythology and Legend Boats Phinisi In Ara – Bulukumba South Sulawesi

One day a pilolog Bugis, Doctoral Nurhayati Rahman, opened the library closet and grabbed a book of ancient literature Bugis La Galigo. He read a verse about the oral tradition of the Bugis boat philosophical: “If you are having difficulties at sea, then palingkanlah boat to the right seven times. If it had not given way, palingkanlah boat to the left of seven times. If that was not given path, then you take trouble.
Meaningful descriptions that accompany the trip in a boat that was speeding down the middle of the ocean. The boat and the sea is indeed a major part of philosophy, behavior, and everyday citizens Bugis and the tribes on the island of Sulawesi. They are not only known as a tough sailor or a skilled fisherman. But, also as a maker of wooden boats that are reliable. And of course with traditional technology. The conclusion was not only recorded in ancient manuscripts La Galigo, but also in real evidence shown boat makers in Bulukumba, South Sulawesi.
In the coastal village of Tana Beru, Bulukumba, Baso Muslim Hajj is known as a reliable boat maker. One morning he was with the courtier and his Sahi preparing to launch a boat engine to sea. Boat owned by the World Wildlife Protection Agency or the WWF it was his work over the last two months. And now the “baby” is getting ready to be presented to the natural world.
A baby would be born to earth. And the Muslim Hajj Baso is “mother” the red baby who was getting ready to start a new life in nature mortal. For the citizens of the Bugis, boat makers could be likened to a mother with a boat as a baby. Because between them is not only bound in a relationship maker and an inanimate object. But deep in the well established a strong bond nan. Like the mother and the baby.
Because of that, when the Sahi work hard off the boat to sea, the Muslim Hajj baso also feel the blend of joy and compassion as a mother who was giving birth. He is one of the leading boat maker in the village of Tana Beru, Bulukumba, South Sulawesi. He is the designer and supervisor each making a boat or a courtier. While executing the design is the Sahi or builder.
Sea and is a life boat and Bugis tribes in the Celebes Sea, the old name of Sulawesi. Because the philosophy, attitudes and ways of thinking they are generally always associated with the sea and boats. The linkage was so evident in the exposure codex Bugis La Galigo. Unravel the exact time travel story Sawerigading to the Land of China or China with a large boat. The codex is described as well as large boats bringing people and plants.
Arguably, the Bugis people have their own technique in making the boat. Ritual is the first step prior to the felling of trees to make a boat hull or kalabiseang. Afterwards, the Sahi grabbed his tool and smooth the keel boat in the shipyard called bantilang.
After the keel boat or kalabiseang is refined, the Sahi also placed two boats in the barn cantilever tip and tail boat called sotting. Next hull boat or boat fitted skin, forming a boat. This difference Bugis boat building than a modern boat. This is because the Bugis boat is made by first making the stomach, after which the new case. It is clearly different from the modern boat building first contrived a new chassis and hull.
For the Muslim Hajj Baso, traditional techniques provide advantages in the use of raw materials. Therefore, the skin can be formed according to the design of the boat without a lot of wood waste. And long before the work Sahi, Haji Muslim Baso as a retainer will design and production plans into account.
Well, based on that count, he can estimate the raw material needs, length of employment / number of Sahi and production costs. Results count is then used as a benchmark price and presented to customers by the local residents called sambalu.
Buginese Boat has a long record in the life of the tribes on the island of Sulawesi. A number of archaeologists noted, traditional industries have been started since the reign of the Kingdom of Gowa or hundreds of years ago. And when opening the back pages of the papyrus codex La Galigo, that time is in the seventh century, or at least a XII century AD.
The Bugis people from the village of Ara in the region Bulukumba, often also called Ara person listed as the Bugis boat makers are skilled. They not only make the boat to find fish or bernelayan needs, but also for transportation. In fact, a big boat to trade, such as the dilakoni Sawerigading yore.
Because of this, the Bugis boat has many varieties and sizes. From large to small. Uniquely, the boats have a distinctive name, such Pajjala, Banggo or Sandek. Later, type Phinisi more so-called typical Bugis boat.
Beyond the historical record and philosophical messages, tribal bugis and also other tribes on the island of Sulawesi, known to be close to the myth. In fact, the skills to make the boat people in this Bulukumba region is often associated with myth.
Sahibul saga, when the boats were destroyed in the waters belonging Sawerigading Tanjung Bira, Bulukumba, the screen is stranded on the island of Bira. While flake hull boat stranded in the village of Ara. In the end, Tanjung Bira became the birthplace of the sailors are tough. And until recently, the sailors from Tanjung Bira has spread almost to the entire archipelago. While the village of Ara become village birth skilled boat makers.
Proved up to now along the coast Tana Beru, Bulukumba, still enlivened by a variety of boat building activity. They serve orders not only from domestic but also overseas.
Muslim Hajj Baso actually comes from the village of Ara. However, during the last twenty years, he was actually residing in the village of Tana Beru. There, he learned to make the boat since the age of 16 years. And at the age of 21 years, he has been able to be a retainer of a boat building. No wonder, if this time he did not know the exact number of boats that have been finished.
That light, he has a lot to make the boat to a stranger. As a result Bugis boat also has spread to other countries as the porters boat or tour boat. Similarly, at this time. Motor boat that was dilarungkan into the sea that was the order of a non-governmental organizations (NGOs), foreigner. He and his sahinya make the boat since six months ago.
The story of greatness with shipping Sawerigading Bugis Bugis boats such as exposure in the codex La Galigo proved not merely fiction. You see, anyone can now see the legacy of expertise and skills handed down by their ancestors Bugis in Tana Beru, Bulukumba.
Apart from pride, the Bugis people actually read the ancient literature of exposure in La Galigo. Especially those dealing with marine symbols boat as the teaching of life. Exactly like the Bugis philosophy of life.
Finally, “the baby” was born into the world, while accompanied by tug relieved breath “mother”. This means a Bugis boat has been in the high seas. So the duty of the retainer and the sahi ended. Struggle for about six months along with a three-day process pelarungan seemed full paid. Ie, it float Bugis boat.
So, the story of the Bugis boat maker ends with joy. And once again the Muslim Hajj Baso established himself as one of the Bugis people. And not only skillfully made the traditional boat, he also managed to prove the greatness of his ancestors who have a long history in the sea.
Source: http://www.phinisi-boat.tk/2010/10/mythology-and-legend-boats-phinisi-in.html

Rabu, 28 September 2011

Ara Village – The Phinisi Indonesia Traditional Sailing Wooden Boat Builders Village

Sumber : http://birabeachhotels.com/ara-village-phinisi-boat-builders.html
Ara Village located on the Southern Tip of South Sulawesi Province Indonesia, The village just located above Bira Beach and about 7 Km from Tana Beru where Buginese Konjos Tribe build the Phinisi Style Schooner of Indonesia.
All the carpenter or boat builders is lived in this village, it just 4 Km long from the entrance to the end of the village and population of approx 3000 people.
The village also has beautiful beach called MANDALA RIA, white sand beach, beautiful coral reefs and stunning views.
The road to the village from Bira or Tana Beru is quite good but narrow, In the village of Ara where you can see many traditional houses style of Buginese where all made of Wood of Merbau, All on the stilts with traditional way of making the houses.

Rabu, 10 Agustus 2011

Perahu Phinisi, kebanggaan Indonesia.


Perahu Phinisi merupakan perahu tradisional Indonesia yang sangat terkenal. Perahu tersebut mampu mejelajah lautan luas sampai ke lima benua. Proses pembuatan kapal sampai saat ini masih dilakukan dalam galangan kapal seadanya pokoknya berada di tepi pantai. Tanpa gedung, tanpa bangunan, bangunanpun beratapkan rumbia dan asalkan berada di tepi pantai . Pembuatan perahu ini banyak dilakukan di desa Ara, Kabupaten Bulukumba, Sulawesi Selatan.





Tenaga kerja adalah orang-orang kampung yang ilmunya didapat secara turun-temurun. Mula-mula Phinisi di buat di tepi pantai. Pada akhir pembuatan, perahu digeser ke batas laut dangkal dan dalam supaya tidak terjebak di daratan dan sulit untuk diluncurkan.





Bagian-bagian dari kapal phinisi :
1. Anjong, segitiga di depan sebagai penyeimbang.
2. Sombala alias layar utama, berukuran besar mencapai 200 m.
3. Tanpasere layar kecil berbentuk segitiga ada di setiap tiang utama.
4. Cocoro pantara atau layar pembantu ada di depan.
5. Cocoro tangnga alias layar pembantu ada di tengah.
6. Tarengke layar pembantu di belakang.





Kayu untuk membuat perahu yang terbaik adalah kayu bitti (Vitek cofassus). Kayu ini tumbuh di atas batu karang sehingga menghasilkan kayu yang keras dan rapat.Kayu bitti ada 2 macam yakni bitti betina (bitti berumah dua) dan bitti jantan. Bitti betina menghasilakn papan lurus dan lebar. Bitti jantan lebih bagus digunakan untuk membuas lunas perahu karena bengkok, dan perajin tidak perlu membengkokkan kayu. 
Perajin juga menggunakan kayu ulin dan jati (Tectona grandis). Untuk memperkuat (merekat) hubungan antar papan digunakan getah pohon barruk. celah papan ditutup dengan dempul yang berupa campuran kapur dan minyak kelapa yang diaduk selama 12 jam. Menurut ceritera phinisi telah di buat 700 tahun lalu.



Peluncuran perahu phinisi ke laut diawali dengan upacara ammossi. Dalam upacara itu disertai pemotongan seekor kambing bila bobot perahu 100 ton; bobot lebih dari 100 ton, pemotongan seekor sapi. Waktu terbaik untuk meluncurkan kapal saat air pasang dan matahari sedang naik. Sebagai pelaksana utama upacara itu, punggawa alias kepala tukang, duduk di sebelah kiri lunas. Ketika phinisi mengapung di laut, barulah pekerja memasang layar dan tiang.